Published 17 November 201126 March 2012 · Main Posts / Culture The Hunger Games and rebellion Jeff Sparrow Here’s another small straw in the wind. This is the trailer for The Hunger Games movie. Even from that, you should get the gist. A country where the poor are tremendously poor and the rich are enormously rich, and where every so often young people are induced to fight and die in meaningless conflicts used to hold an oppressive state together: where do these SF writers dream up such way-out ideas? The politics of the Suzanne Collins YA novels are quite complex but the books are a remarkably self-conscious reflection on the Bush years. In that respect, they make an obvious contrast with the Twilight series, which might be better described as a remarkably unself-conscious product of the Bush years, both in terms of reactionary gender politics and a remarkable fetishisation of class privilege. Yes, The Hunger Games is about revolution while Twilight is about not having sex. But more importantly, while Bella spends the entirety of the Twilight series fretting about whether the boys like her or not, Katniss is about as active a protagonist as one is likely to find in YA writing. The transfer of the books to the big screen will be particularly interesting because so much has changed since they were written. That is, the first movie comes out in the wake not only of the ArabSpring but also (and perhaps more importantly in the context of Hollywood) the Occupy movement, which means there’s suddenly a whole different context for a book about an uprising. By way of comparison, the politics of the Harry Potter series developed noticeably as the novels were written, with the later books decidedly darker and with less of the twee Enid Blyton-ness of the first ones. It will be fascinating to see if something similar happens, as the rest of the Hunger Games trilogy rolls out. Jeff Sparrow Jeff Sparrow is a Walkley Award-winning writer, broadcaster and former editor of Overland. More by Jeff Sparrow Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 19 May 202323 May 2023 · Culture Long Furby memory hole Dan Hogan The year is 1998 and a spectre is haunting capitalism from ages six and up—the spectre of virtual and robotic kin. All the powers of the capitalist class have entered an unholy alliance to exploit this spectre: Tyco, Hasbro, and Mattel, or: Tickle Me Elmo, Furby, and Tamagotchi.