Published 9 March 20111 June 2012 · Main Posts / Writing My (not so) secret poetic shame Maxine Beneba Clarke I’ve heard so many writers wax lyrical about their early poetic influences and, indeed, I’ve done it myself in interviews. Musicality plays a great part in my poetry and some time ago, a young writer asked me what the first album I bought was. They might have been expecting Tracey Chapman, or perhaps even Gil Scott Heron, The Last Poets or Public Enemy – and indeed, they did come later. But here, ladies and gentlemen, for your viewing pleasure, is my ultimate secret shame. In 1989, I bought my first ever cassette tape album: Bobby Brown’s gem Every Little Step I Take. It played on loop on my sunflower yellow boombox till the tape got twisted and Bobby began to sound chipmunk-like. Whitney Houston and Brown hadn’t hooked up yet and I knew deep down that somehow, Bobby and I were gonna marry someday. Bel Biv Devoe and Arrested Development were soon to follow suit, though none of them would steal my heart anywhere close to the way that skinny-legged black-shoulder-padded-tux-with-bare-chest-underneath Bobby did. Cross-posted from Slam up. Maxine Beneba Clarke Maxine Beneba Clarke is an Australian author and slam poet of Afro- Caribbean descent. Her short fiction collection Foreign Soil won the 2015 ABIA Award for Best Literary Fiction and the 2015 Indie Award for Best Debut Fiction, and was shortlisted for the Stella Prize. Her memoir, The Hate Race, her poetry collection Carrying the World, and her first children’s book, The Patchwork Bike, will be published by Hachette in late 2016. More by Maxine Beneba Clarke Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 3 First published in Overland Issue 228 26 May 20238 June 2023 · Writing garramilla/Darwin Lulu Houdini We sit in East Point Reserve and look at how the gidjaas, green ants, make globe-like homes out of the leaves — connected edges with fibrous tissue that I later learn is faithful silk. Safe inside. Why isn’t it safe outside? I pick up the plastic around this circular lake cause this is the way […] First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples.
