Published 5 October 2010 · Main Posts Tonight! Cherchez la Femme: Feminism and the Arts Editorial team How does being a feminist affect your art? Why do women basically staff the entire arts sector and yet very few are in positions of real power? And which creative industries are the most sexist? Explore these topics and more at tonight’s extra special Fringe instalment of the monthly digest of popular culture and current affairs from a feminist perspective, Cherchez la femme. The event will feature special guests such as comic Lou Sanz, film critic Cerise Howard, TV and radio personality Namila Benson, and artist and cultural activist Megan Evans. Plus the musical talents of Emily Jarrett (Go-Go Sapien), Eloise Maree (I Hung out with Gen Y and all I got was this Lousy Facebook Account), country-pop chanteuse Jane Dust and the rising star of lo-brow, hi-glam cabaret, Kitty Bang. As always, there will be much audience participation and robust debate on women and the arts. Overland has three double passes to give away. Email us asap: email@example.com Editorial team More by Editorial team Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 15 February 202322 February 2023 · Main Posts Self-translation and bilingual writing as a transnational writer in the age of machine translation Ouyang Yu To cut a long story short, it all boils down to the need to go as far away from oneself as possible before one realizes another need to come back to reclaim what has been lost in the process while tying the knot of the opposite ends and merging them into a new transformation.