Published 5 August 201010 August 2010 · Main Posts The drinks are on Overland Editorial team The beginning Overland’s 200th issue, believe it or not, has just gone to print. That’s 56 years and 200 issues. Who would’ve thought a humble, left-wing magazine founded by Realist Writers group from the Communist Party would still be hale and hearty in 2010? And not just hale, not just hearty, but at the forefront of literature and culture — and with a thriving online community to boot? Seriously though, we are mighty proud that we still produce, time after time, issue after issue, an intelligent and provocative publication. The issue The 200th issue is brimming with controversial essays on culture and politics from some of Australia’s most rebellious writers like Chris Graham, Anwyn Crawford and Clive Hamilton; riveting fiction from Christos Tsiolkas, Janette Turner Hospital and Karen Hitchcock; and a poetic experiment unleashed from the minds of 20 poets working in unison – plus a graphical remix of a story from Overland 1 by Bruce Mutard. The party This historic edition is going to be launched at a gargantuan and sophisticated shindig at the Melbourne Writers Festival. The night and issue will be launched by distinguished novelist Rodney Hall and current editor Jeff Sparrow, and much good humour and revelry will ensue. The drinks Food and drinks on us (at least until the tab is exhausted) at the abovementioned party. Writers, readers, friends and comrades: this is the must-attend event of 2010. We aim to see you there. Pertinent details: 4 September 2010, 7pm, Feddish, Federation Square, Melbourne Editorial team More by Editorial team Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · Television The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 15 February 202322 February 2023 · Main Posts Self-translation and bilingual writing as a transnational writer in the age of machine translation Ouyang Yu To cut a long story short, it all boils down to the need to go as far away from oneself as possible before one realizes another need to come back to reclaim what has been lost in the process while tying the knot of the opposite ends and merging them into a new transformation.
