Published 2 June 20102 June 2010 · Main Posts Mother Muse at Sospeso – a literary event Koraly Dimitriadis From the doubts of conception through to the power of labour, and onto the magic and miseries of babies and children and mature awareness as daughters – 5 women wordsmiths share their perspectives to create a multi-voiced portrait of mothering in modern Australia. Performing on the night: Koraly Dimitriadis, Vicki Thornton, Amy Bodossian, Tiggy Johnson and Sunyata Di Cousens (with links by midwife Geoff Fox). When: This Friday, 4 June Time: 7–10pm Place: Caffe Sospeso, 428 Burwood Road, Hawthorn The night also includes an open mic section if you would like to read. Koraly Dimitriadis Koraly is a widely published Cypriot-Australian writer and performer. She is the author of the controversial Love and F**k Poems. Koraly received an Australia Council ArtStart grant. She presents on 3CR radio and has a residency at Brunswick Street Bookstore. Her 2013 La Mama show is Exonerating The Body. She is mentored by Christos Tsiolkas. More by Koraly Dimitriadis Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 15 February 202322 February 2023 · Main Posts Self-translation and bilingual writing as a transnational writer in the age of machine translation Ouyang Yu To cut a long story short, it all boils down to the need to go as far away from oneself as possible before one realizes another need to come back to reclaim what has been lost in the process while tying the knot of the opposite ends and merging them into a new transformation.
