Published 4 December 20094 December 2009 · Main Posts Nick Cave, Overland and sociology 101: a response to Anwyn Crawford Jeff Sparrow The piece below came via email. It was intended for the journal’s correspondence section but, given the online discussion sparked by the Crawford essay, it seems more appropriate to reproduce it (with the permission of its author) here. What is going on? Is this Overland – a substantial contributor to Australia’s otherwise anodyne literary culture, and my favourite lit publication? Anwyn Crawford’s piece on Nick Cave is pure undergraduate feminist critique from the 80s – worse, it smacks of Anglo puritanical, sexless debasement of the art. It says nothing of the Duende that Cave has in his songs, of the sex, the darker romance, the blood and violence, the addiction to love and other things. He is the closest thing to pure Rebetica (Greek blues), or Flamenco we have in the contemporary world and he is made in Australia. He brought out one of the great Cretan lyre players last year, Psarantonis, and Cave is considered as a serious artist, not a pop musician in Italy, Spain, Greece, Germany, etc etc… I saw Cave in Athens in 1986 in front of thousands of people, when in Australia he could hardly amass a crowd in Fitzroy. Ms Crawford writes, ‘like many women, I have troubled relationship with the sexism and, yes, misogyny that continues to shape pop music’- she must mean like the very few sexless Anglo middle class women I represent – as most of the Greek, Spanish, African and Italian women I know love Cave’s sexually dark malaise, his overture to death and lust . My wife Charito Saldana, one of Australia’s most renowned Flamenco dancers sees him as a poet ala Lorca. On the issue of sex, as it seems that’s what Ms Crawford is really worried about, what would she have pop music, art, culture, myth, literature do? Wash it’s sins away! Maybe Zeus can negotiate his relationship with Hera rather than rape her … Ms Crawford should head up a central planning committee on getting rid of all darker sexual elements from our music and dance. Puritanism and left wing remnants of Trotskyisms should be left where they belong in the late 70s. Avid Overland reader and subscriber Fotis Kapetorpoulos Jeff Sparrow Jeff Sparrow is a Walkley Award-winning writer, broadcaster and former editor of Overland. More by Jeff Sparrow › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 10 November 202311 November 2023 · Subscriberthon 2023 On the final day of Subscriberthon, Overland’s most important members get to have their say Editorial Team BORIS A quick guide to another year of Overland, from your trusty feline, Boris. I liked the ginger cat story, though it made my human cry. I liked the talking cat, too, but I’m definitely in the “not wasting my time learning to talk” camp. But reading is good. And writing is fun, though it’s been challenging […] 1 First published in Overland Issue 228 9 November 20239 November 2023 · Subscriberthon 2023 On the second-last day of Subscriberthon, Overland’s co-chief editor Evelyn Araluen speaks truth to power Editorial Team To my friends and comrades, I’m not sure if there’s language to communicate how this last month has utterly changed me. This time a few weeks ago the busyness and chaos of bricolage arts and academic labour had so efficiently distracted me from my anxiety about the upcoming referendum that I forgot to prepare myself for its inevitable conclusion.
