Published 5 December 20095 December 2009 · Main Posts Art and sexism: is it acceptable? Koraly Dimitriadis Last night, after the heated discussion on the Nick Cave essay by Crawford, I thought I’d post some of my reflections on the debate which have left me a little confused about my own beliefs as an artist. Is art allowed to be sexist? Is art allowed to cross the line? It seems everywhere you look these days everyone is being careful to be politically correct for fear of being sued or being labeled sexist. I can understand journalism is reporting fact but what about art? Is all art considered fictional? Is music fictional? I’m a little confused about all this myself. Is fiction allowed to be sexist if we are just reflecting on the human condition and the world we live in which is, in fact, sexist? A few people have told me that ‘The Slap’ is misogynistic. I agree that some aspects of the female characters, especially the breastfeeding mother, could be seen that way. But is there anything wrong with that? If a writer creates fictional characters that are sexist if people like that do exist in our society is that okay? As a writer I want to challenge and confront my reader, have them question their own beliefs. But as artists if we write or sing whatever we want are we not just contributing to the problems in our society? Are we glorifying the wrong and therefore hindering change for the better? But it’s strange because I thrive on art that doesn’t conform – it inspires me but I’m not sexist. And art is supposed to be limitlessness and without boundaries. I was once a breastfeeding mother and when I read ‘The Slap’ I wasn’t offended, rather I asked myself ‘why is our society like this? Why does society view breastfeeding in this way?’ Because society does do that. Any thoughts out there? Koraly Dimitriadis Koraly is a widely published Cypriot-Australian writer and performer. She is the author of the controversial Love and F**k Poems. Koraly received an Australia Council ArtStart grant. She presents on 3CR radio and has a residency at Brunswick Street Bookstore. Her 2013 La Mama show is Exonerating The Body. She is mentored by Christos Tsiolkas. More by Koraly Dimitriadis › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 28 March 20249 April 2024 · Main Posts Why we should value not only lived experience, but also lived expertise Sukhmani Khorana In the wake of this year’s International Day for the Elimination of Racial Discrimination, I want to extend the central idea of El Gibbs’s 2022 essay on 'lived expertise' and argue that in media accounts of racism, analytical expertise and lived experience ought to be valued together and even in the same body. 5 March 2024 · Main Posts Andrew Charlton’s school assignment Alex McKinnon Australia's Pivot to India exists for three reasons: so that when Andrew Charlton is interviewed on the radio or introduced on Q+A, his bio includes the phrase "he has written a book about Indian-Australian relations"; to fend off accusations that he is another Kristina Keneally engaging in electoral colonialism in western Sydney; and to help the Albanese government strengthen economic and military ties with Modi’s Bharatiya Janata Party.