Published 10 October 200911 October 2009 · Main Posts The Emerging Writers’ Festival Reader Maxine Beneba Clarke We would be delighted if you could join us for the launch of The Reader, the Emerging Writers’ Festival first publication, to be launched by Richard Watts at Bertha Browns (562 Flinders st) Monday the 12th of October at 630pm. The Reader is a new collection that combines highlights of the 2009 festival with general writing information and new creative works across various writing forms. The Reader is about the craft, the approaches, the techniques and processes; the discipline(s), the forms, the experiments; the inner life, the social life, the lifestyle; the ups and downs, the tricks and the tribulations, the fun and the failure… The Reader is Artworks, Illustrations, Flash Fiction, Fragments, Interviews, Short Stories, Sketches, Songs, Sonnets, Haiku, Poetry, Plays, Photos, Comics, Couplets, Verse, Recipes, Rants, and Memoirs. The Reader is Steven Amsterdam on writers’ workshops, Clem Bastow on freelancing, Jen Breach on writing comics, Mel Campbell on pitching to editors, Kathy Charles on shameless self-promotion, Stephanie Convery on writing Black Saturday, Olivia Davis on fear and writing practices, Lisa Dempster on how much writers earn, Koraly Dimitriadis talks to Christos Tsoilkas, Caroline Hamilton compares writers’ festivals and music festivals, Stu Hatton on his mentorship with Dorothy Porter, Jane Hawtin discusses publishing academic research for a general audience, Andrew Hutchinson recalls the Emerging Writers’ Festival, Tiggy Johnson on parenthood and writing, Krissy Kneen on not writing about sex, Benjamin Law on failure, Angela Meyer reviews books for writers, Jennifer Mills on the politics of publishing and engaging with readers, Anthony Noack on good grammar, John Pace on re-drafting your screenplay, Ryan Paine on the role of the critic, Ben Pobjie on writing comedy, Robert Reid on the role of the contemporary playwright, Aden Rolfe on the emergentsia, Jenny Sinclair on the landscape of her book research, Chris Summers talks to Lally Katz about theatre writing, Mia Timpano on how to cultivate the ultimate author profile photo, Estelle Tang on Christopher Currie and blogging fiction, Simmone Michelle-Wells pens a letter to her younger self, Cameron White reviews alternatives to Microsoft Word. And new creative works by Maxine Clarke, Chris Currie, Chris Downes, Claire Henderson, Kirk Marshall, Scott-Patrick Mitchell, Alice Mrongovius, Meg Mundell, Warwick Sprawson and Cameron T Monday the 12th of October 6:30 – 8:30 Bertha Brown 562 Flinders Street Melbourne www.berthabrown.com.au The Reader to be launched by the Emerging Writers’ Festivals inaugural director Richard Watts RSVP: email@example.com The Reader will be available from www.emergingwritersfestival.org.au from the 12th of October and at all good book stores, and of course at the launch for the miserly sum of $20. Maxine Beneba Clarke Maxine Beneba Clarke is an Australian author and slam poet of Afro- Caribbean descent. Her short fiction collection Foreign Soil won the 2015 ABIA Award for Best Literary Fiction and the 2015 Indie Award for Best Debut Fiction, and was shortlisted for the Stella Prize. Her memoir, The Hate Race, her poetry collection Carrying the World, and her first children’s book, The Patchwork Bike, will be published by Hachette in late 2016. More by Maxine Beneba Clarke Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · settler racism The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 15 February 202322 February 2023 · Main Posts Self-translation and bilingual writing as a transnational writer in the age of machine translation Ouyang Yu To cut a long story short, it all boils down to the need to go as far away from oneself as possible before one realizes another need to come back to reclaim what has been lost in the process while tying the knot of the opposite ends and merging them into a new transformation.