Published 13 February 2009 · Main Posts Clint Eastwood’s Gran Torino Rjurik Davidson I saw Clint Eastwood’s new film, Gran Torino a couple of days ago. Despite his sometimes deep conservatism, some of Eastwood’s earlier films are exceptional, especially Unforgiven, which has a claim to the best western of all time, and Mystic River. It seems to me that in his later years (once he was past his terrible Dirty Harry movies and the appalling precursor to Fatal Attraction, Play Misty for Me) his films have been quite intelligent meditations of the law and violence. Gran Torino follows the same path (a grumpy old republican widower starts to defend his asian neighbours from a “gangsta” gang – just what is permissible when the law breaks down or is non-existent?). Again, the politics are pretty conservative (there isn’t much analysis of why there are gangs in the first place, the gang is treated as unremittingly bad etc), and his analysis of race relations treads a fine line (as an aside I believe Spike Lee and Eastwood recently fought a running battle about Eastwood’s exclusion of African Americans from his war films) but it’s on the level of filmmaking that the picture falls down. The script just isn’t good enough for Eastwood’s direction (usually so sure) to save the film from mediocrity. It’s not the worst film out there (I had the excruciating experience of watching the Sex and the City movie lately – but let’s not get started on that one…), but probably one for video. Rjurik Davidson Rjurik Davidson is a writer, editor and speaker. Rjurik’s novel, The Stars Askew was released in 2016. Rjurik is a former associate editor of Overland magazine. He can be found at rjurik.com and tweets as @rjurikdavidson. More by Rjurik Davidson › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 28 March 20249 April 2024 · Main Posts Why we should value not only lived experience, but also lived expertise Sukhmani Khorana In the wake of this year’s International Day for the Elimination of Racial Discrimination, I want to extend the central idea of El Gibbs’s 2022 essay on 'lived expertise' and argue that in media accounts of racism, analytical expertise and lived experience ought to be valued together and even in the same body. 5 March 2024 · Main Posts Andrew Charlton’s school assignment Alex McKinnon Australia's Pivot to India exists for three reasons: so that when Andrew Charlton is interviewed on the radio or introduced on Q+A, his bio includes the phrase "he has written a book about Indian-Australian relations"; to fend off accusations that he is another Kristina Keneally engaging in electoral colonialism in western Sydney; and to help the Albanese government strengthen economic and military ties with Modi’s Bharatiya Janata Party.