Overland literary journal

Progressive culture since 1954

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Review

Uprising

Italian thinker and media activist Franco ‘Bifo’ Berardi is an important figure of today’s Leftist European theory. Having joined the Italian Communist Youth Federation in 1962 at the age of 14, he is often associated with the autonomist Anarcho-Marxist movements of the 1960s and 1970s, such as operaismo.

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Loudspeaker

Losing faith

I come from the land of Eyjafjallajökull. Let me say that again. Eyjafjallajökull, which means Island Mountain Glacier, is the volcano, or rather the location of the volcano, that disrupted air traffic for a few days in 2010.

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Loudspeaker

The torturer as feminist: from Abu Ghraib to Zero Dark Thirty

In August of 2012, Amy Zegart conducted a poll on American attitudes toward torture, and found that Americans had become more supportive of the use of torture in the previous half decade. Zegart also found an increase in support for a number of specific tactics known to be used during the Bush era, including waterboarding, intimidation with military dogs and naked stress positions.

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Loudspeaker

Pay the writers

A major newspaper emails me via a literary journal to ask if they can publish one of my stories. I am afraid that in these straitened times all we could offer you in exchange for publication rights to the short story would be a quid pro quo arrangement in terms of publicity. They’re waving ‘exposure’ at me like it’s a cheque.

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Cruel Miracles

The Catholic Church′s production of sexually abusive men

It always seemed to me that my teacher disliked me so much that even thinking about me drove her into a shrieking vindictive fury, a fury that she was more than happy to vent on my parents by informing them that I was retarded. It was a depressing and nearly unbearable experience at the age of four to wake each morning, and have to go to school to be shouted at, beaten, and told that I was born inherently evil and could only be redeemed if I did what God told me. As the nuns seemed to be God’s personal mouthpieces, this gave me a dark and dismal and hopeless view of the world and my place in it.

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Loudspeaker

How do you like me now? Positivity and the death of Facebook

It is eight in the morning and with a sleep-blunted mind I absentmindedly swipe my finger over my phone. It is one-thirty and I’m on the toilet staring at the screen while the work-paid minutes tick by. It is two-thirty; my mind wanders from work and my keys tap in a familiar web address. It’s 6 pm and ignoring the subtle smell of body odour creeping through the bus air, I flick through the news feed. In a moment of clarity, I roll my eyes: what am I doing – I don’t even like Facebook.

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Review

The truths of death

At the time of her appearance in the influential 2000 anthology Calyx: 30 Contemporary Australian poets, MTC Cronin had already presented herself as one of the most distinct voices among the new poets to have emerged in the 1990s. The success of her subsequent collections such as The Flower, The Thing, which won the 2005 Victorian Premier’s Literary Award in Poetry, further established her as one of main figures in the generation of poets who practiced – to use the term suggested by the poet and critic David McCooey, also in 2005 – a ‘new lyricism’.

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