There is much contemporary designers can learn from this type of early archaeological find. It might not be immediately obvious why designers might look to archaeological theory to develop ideas of design, however, the crucial thing to recall is that archaeology is fundamentally about material culture, and as a form of anthropology has much to offer design anthropology and by extension design itself.
The feminists ‘consumed with rage and fear’ that Garner condemns in The First Stone are still having to be vigilant, and still cop the same criticisms she threw at them twenty years ago: that they are throwing stones when they too have sinned. Such logic implies women are equally capable of inappropriate behaviour, that we use our sexual prowess when it is convenient and should be merciful when those of the opposite gender ‘get it wrong’.
Dewey numbers for LGBTI topics have been and at times continue to be homophobic, reflecting the society and times in which the numbers are developed, from the nineteenth century to present. Melvil Dewey, a man so obsessed with efficiency he shortened the spelling of his first name and considered spelling his surname as ‘Dui’, invented Dewey decimal classification in 1876. Given the nineteenth century origins of DDC, many have noted the inherent cultural bias including a Christian concentration, racism, sexism and homophobia.
Forget The Crying Game. Forget Transamerica. Forget The Dallas Buyer’s Club. Dear god, forget Transparent. Forget every gross-out movie and sitcom plot and T-word punchline you have ever seen. They are all, in a word, bullshit. The history of the representation of transgender women onscreen is not a history at all, because it does not even represent the group ostensibly being shown.
In a recent edition of his podcast Waking Up, Sam Harris differentiated religions and cults in this way: ‘Every religion is a kind of cult – it just has more subscribers.’ A million members will get you a religion, a hundred (or, in the case of Heaven’s Gate, just forty) a cult, with all the stigmatic baggage that label brings.