Published in Overland Issue 225 Summer 2016 · Uncategorized Issue 225 admin REGULARS Editorial Natalie Harkin giovanni tiso mel campbell alison croggon Contributors FEATURES jason wilson the new patriotism Trumpism beyond Trump vashti kenway no pasarán! Fighting Australia’s Far Right Claire Parfitt & Kirsty McCully the state of the working class Debt and precarity Jeanine Leane other peoples’ stories When is writing cultural appropriation? katie dobbs radical passivity Patty Hearst to Ottessa Moshfegh helen heath using/abusing fembots The ethics of sex with robots tom clark form versus content Misogyny versus Blue Ties liam byrne the antis On the conscription plebiscite fiction tony birch liam Alex philp agistment fiction prize Cameron Weston Sweeping First place, Story Wine Prize POETRY charlotte guest egg tempera networking drinks claire nashar story Marty Hiatt on the origin of Poetry a sapphic collaboration On the Occasion of Gig Ryan’s Sixtieth Birthday artwork sam wallman Guest artist issue 225: cover, illustrations pages 17, 25, 46–47 brent stegeman All other artwork FAir australia Winners of the 2016 NUW Fair Australia Prize admin More by admin › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 24 April 2024 · History Anzac Day and the half-remembered history of the Anzacs in Palestine Bill Abrahams and Lucy Honan Schools are deliberate targets for government-funded mystification about Australia’s role in wars. Such instances of official remembrance crowd out the realities of war, and the consequences of Australia’s role in imperialism. As teachers, we should strive to resist this, and we should introduce our students to a fuller understanding of the history of the Anzacs. 22 April 2024 · Gaming Game-death in infinite game-worlds: Darkest Dungeon 2 Josie/Jocelyn Suzanne Death is the ultimate stamp of value. It was invented to sell arcade-like 1 Up repetition to the home market. To read politics in videogames is to learn to read necropolitically, which is why gamers don’t like politics.