205 Summer 2011
At Wentworth Falls
For, and after, AR Ammons
I followed Darwin’s Walk again this evening
to the falls,
from the ridgetop’s open forest,
contouring
around the furrowed boughs of black ash
and the smooth pale stands
of peppermint and blue gum flaking
over banksia, mountain devil and waratah:
zigzagging
down to the over-
cliff track where
clumps of button grass
and a holly-like grevillea blooms
among the sedges of hanging swamps,
soils like peat collecting
along shales and sandstones,
the sponged seepage zones
of a fernery’s rare collection:
along to the lookout at the falls:
a bush fire haze still burnt
over the escarpment’s western rim whilst drizzle
swirled around the communication tower
like a halo:
the forecasted change
heralded
to an alert line of towns
threaded along the railway and Great Western Highway,
the length of the Mountains’ navigable central ridge,
the shape
of a wilderness’ threatened destruction:
from the brink
of the lookout’s precipice, in Darwin’s grand
amphitheatrical depression, the drama
unfolded
and from this podium, I counted in
the change,
a swirling mist pouring over
even as the volumes of smoke swept
across the track,
a catalyst
like the secret stowed away on the Beagle,
a pillar of cloud
leading Darwin to his promised land,
a sighting that laid bare our origins and opened eyes
to change.
Phillip Hall is a wilderness expedition leader working with Indigenous kids to encourage school attendance and retention. He is also completing a Doctor of Creative Arts (poetry) at the University of Wollongong where he is researching the poetry of place from the perspective of postcolonialism and ecocriticism.
© Phillip Hall
Overland 205-summer 2011, p. 78–9
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