Little remains at track.
Creepers, winding where
the graded bed has grown so dank and soft
it sponges at my toes.
I sift the ballast, lift a stone,
a sour-milk stem
clings to its crevices,
clasped in a veinery of roots.
Sections of supporting walls
remain at street level.
The paint flakes scab under my fingers.
The sun scrambles for the girders
and gridlocked cars reverberate.
Their drivers are silent.
The blackened bricks leave crumbs
on my clothes.
Shortly before electrification.
When I was young.
I curled my fingers off my ticket-stub
and caught the slipstream
of the shunting carriages.
I smelt soot in my hair for days,
sour as fear.
You never looked
behind.
Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places.
If you like this piece, or support Overland’s work in general, please subscribe or donate.